Intro - main Riff -:
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Alternative -thank you Luna G-:
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Am
Oh, well imagine, as I'm pacing the pews in a church corridor, and I
Dm F
can't help but to hear, no I can't help but to hear an exchanging of words:
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
Dm F - shh -
"but what a shame, what a shame, the poor groom's bride is a whore."
Am G Dm - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am G Dm - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am G Dm
No, it's much better to face these kinds of things with a sense of...
Am
Oh, Well in fact, well I'll look at it this way, I mean technically our marriage is saved
Dm F
Well this calls for, a toast so, pour the champagne
Am
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
Dm F
Well this calls for a toast, so pour the champagne, pour the champagne
Am G Dm - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am F F
Again...
Am G Dm - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am G Dm - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Outro:
Am G Dm Am
No, it's much better to face these kinds of things with a sense of
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