Intro ( main riff ):
A|---0-----------0------------0----------0----------|
E|-----0---0-------0----0-------0---0------0---0----|
C|--------------------------------------------------|
g|-------5---4--------5---4-------5--4-------5--4---|
A|-------5------------5------------3---3-------3---3---|
E|---2------------2------------1-----------1-----------|
C|-----------------------------------------------------|
g|-----5---5-4------5---5-4------4---4-------4---4-----|
Alternative (thank you Luna G):
A|--0---3---2---0----3-----2---0---3----2---0----3---2--|
E|----0---0--------0----0---------0---0--------0----0---|
C|------------------------------------------------------|
g|------------------------------------------------------|
A|----3--5--3--2----3--5--3--2---2--3--2--3-----2---3--2--3--|
E|--2-------------2---------------1---------------1----------|
C|-----------------------------------------------------------|
g|-----------------------------------------------------------|
Am
Oh, well imagine, as I'm pacing the pews in a church corridor, and I
Dm F
can't help but to hear, no I can't help but to hear an exchanging of words:
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
Dm F ( shh )
"but what a shame, what a shame, the poor groom's bride is a xxxxx."
Am G Dm ( F )
I chime in with a "Haven't you people ever heard of closing a xxxxxxx door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am G Dm ( F )
I chime in with a "Haven't you people ever heard of closing a xxxxxxx door?!"
Am G Dm
No, it's much better to face these kinds of things with a sense of...
Am
Oh, Well in fact, well I'll look at it this way, I mean technically our marriage is saved
Dm F
Well this calls for, a toast so, pour the champagne
Am
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
Dm F
Well this calls for a toast, so pour the champagne, pour the champagne
Am G Dm ( F )
I chime in with a "Haven't you people ever heard of closing a xxxxxxx door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am F F
Again...
Am G Dm ( F )
I chime in with a "Haven't you people ever heard of closing a xxxxxxx door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am G Dm ( F )
I chime in with a "Haven't you people ever heard of closing a xxxxxxx door?!"
Am G Dm F
No, it's much better to face these kinds of things with a sense of poise and rationality.
Outro:
Am G Dm Am
No, it's much better to face these kinds of things with a sense of Este arreglo es la interpretación propia de quien lo aportó y se comparte para estudio privado, educación y uso no comercial. La canción, la letra y la música subyacentes siguen siendo propiedad de sus titulares de derechos. Para solicitar una retirada, consulta Aviso legal.
Acordes de I Write Sins Not Tragedies de Panic! at the Disco
Rasgueo sugeridocorcheas abajo-arriba
1
d
2
u
3
d
4
u
También funciona: rasgueo isleño d – d u – u d u
¿Cómo leer la tablatura?
Cómo tocar I Write Sins Not Tragedies en el ukelele
El patrón de rasgueo que encaja es el corcheas abajo-arriba: d u d u. Avanza a un ritmo vivo de unos 150 bpm. La estás tocando en A menor. Los acordes se mueven en terreno cómodo de hábil. Fast down-up strums and watch the dramatic stops before the chorus.
4 acordes de ukelele en "I Write Sins Not Tragedies" de Panic! at the Disco: Am, Dm, F y G
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85 comentariosÁlbum: A Fever You Can't Sweat Out
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This song is sic as fric
You could change whore to “sweet potato” just for Vine (rip Vine)
I use DD UDU for the verses and DDU UDU for the chorus
I prefer plucking this way:
A:—–0——0-
E:—0——0— (4×)
C:-0——0—–
G:—–5——4-
Pluck the Dm same way as the riff then pluck the F same way as the riff or:
(Dm)
A:—–0-
E:—1— (4×)
C:-2—–
G:—–2-
(F)
A:—–0-
E:—1— (4×)
C:-0—–
G:—–2-
Credits to the ukulele teacher
Ayyyy ?
What is the strumming pattern? all the ones i’ve tried haven’t worked well!
This is such a great song and these chords match perfectly!
ooo
Me: Wearing my long-arse hoodie that’s supposed to be my newly-graduated sister’s from a few years back, when I was like 7, and is now 10, and wondering: Oh, why aren’t the strings making any sound? GODDAMMIT GRACEINATOR YOUR SLEEVES
no dip sherlocki like doing just single strums in the beginning for the first few lines and then the island strum without the last up strum
*holding not Goulding lol sorry
The letters represent the strings, (obvi lol) the the 0 stands for an open chord, so if it’s on A and it’s a zero, just pluck A without Goulding down a string on a fret. The other numbers- 1-5 and so on stand for each fret. So example-
A ———0—3—0———
You would pluck an open A string, then hold your third finger (ring finger) down on the third fret. Then pluck an open A again.
What strumming pattern should i use for these chords?
sometimes at the end of the lines I add e7 and it sounds nice
I sing it a little different than the og so it may or may not irk for you you just gotta play with it a little
I love this song its my favorite P!ATD song ever
Btw P!atd is panic at thdisco
in the chorus there is a F that looks like this: -F-
can someone please explain that to me? thanks in advance!
The lyrics are incorrect but the tabs are great!
If you’re singing this around family or for school I would reccomend changing whore to horse. 🙂
YAS i love this song
i prefer plucking like this :
E——–0—–0–
A—–0————
C -0——-0——
G——————
and then repeating that 8 times for the chords ‘A minor’ ‘D’ and ‘F’.