How to read tablature?
Intro - main Riff -:                                                                           
xA|---0-----------0------------0----------0----------|
xE|-----0---0-------0----0-------0---0------0---0----|
xC|--------------------------------------------------|
xG|-------5---4--------5---4-------5--4-------5--4---|
                                                                             
xA|-------5------------5------------3---3-------3---3---|
xE|---2------------2------------1-----------1-----------|
xC|-----------------------------------------------------|
xG|-----5---5-4------5---5-4------4---4-------4---4-----|

Alternative -thank you Luna G-:

xA|--0---3---2---0----3-----2---0---3----2---0----3---2--|
xE|----0---0--------0----0---------0---0--------0----0---|
xC|------------------------------------------------------|
xG|------------------------------------------------------|

xA|----3--5--3--2----3--5--3--2---2--3--2--3-----2---3--2--3--|
xE|--2-------------2---------------1---------------1----------|
xC|-----------------------------------------------------------|
xG|-----------------------------------------------------------|

Am
Oh, well imagine, as I'm pacing the pews in a church corridor, and I
Dm                                              F
can't help but to hear, no I can't help but to hear an exchanging of words:


Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
Dm                                        F                  - shh -
"but what a shame, what a shame, the poor groom's bride is a whore."

                             
Am                     G                    Dm                - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am             G                   Dm                              F
No, it's much better to face these kinds of things with a sense of poise and rationality.


Am                     G                    Dm                - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am             G                   Dm                            
No, it's much better to face these kinds of things with a sense of...
                
                                                          
Am       
Oh, Well in fact, well I'll look at it this way, I mean technically our marriage is saved
Dm                               F
Well this calls for, a toast so, pour the champagne
           
                                                                   
Am
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
Dm                            F
Well this calls for a toast, so pour the champagne, pour the champagne


Am                     G                    Dm                - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am             G                   Dm                              F
No, it's much better to face these kinds of things with a sense of poise and rationality.


Am   F   F
Again...


Am                     G                    Dm                - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am             G                   Dm                              F
No, it's much better to face these kinds of things with a sense of poise and rationality.


Am                     G                    Dm                - F -
I chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am             G                   Dm                              F
No, it's much better to face these kinds of things with a sense of poise and rationality.


Outro:
Am             G                   Dm                              Am
No, it's much better to face these kinds of things with a sense of