IntroRiff:
xA|-----0--3--0--1--1--------0--|--------0--------0-----------|
xE|--1-----------------3--1-----|--1--1-----1--3-----3--1--0--|
xC|-----------------------------|-----------------------------|
xG|-----------------------------|-----------------------------|
Intro Chords: F - C7FC7
Shake, shake, shake, Senora, Shake your body line
C7F
Shake, shake, shake, Senora, Shake it all the time
FC7
Work, work, work, Senora, Work your body line
C7F
Work, work, work, Senora, Work it all the time
FBb
My girl's name is Senora
FC7
I tell you friends, I adore her
FBb
And when she dances, oh brother!
F
She's a hurricane in all kinds of weather
FC7
Jump in the line, rock your body in time
FC7
Ok, I believe you!
FC7
Jump in the line, rock your body in time
FC7
Ok, I believe you!
FC7
Jump in the line, rock your body in time
FC7
Ok, I believe you!
FC7
Jump in the line, rock your body in time
Whoa
FC7
Shake, shake, shake, Senora, Shake your body line -Whoa-
C7F
Shake, shake, shake, Senora, Shake it all the time
FC7
Work, work, work, Senora, Work your body line
C7F
Work, work, work, Senora, Work it all the time
FBb
You can talk about Cha-Cha
FC7
Tango, Waltz, or the Rumba
FBb
Senora's dance has no title
F
You jump in the saddle, Hold on to de bridle
FC7
Jump in the line, rock your body in time
FC7
Ok, I believe you!
FC7
Jump in the line, rock your body in time
FC7
Rock your body, child!
FC7
Jump in the line, rock your body in time
FC7
Somebody, help me!
FC7
Jump in the line, rock your body in time
Whoa
FC7
Shake, shake, shake, Senora, Shake your body line
C7F
Shake, shake, shake, Senora, Shake it all the time -Whoa-
FC7
Work, work, work, Senora, Work your body line -Yep-
C7F
Work, work, work, Senora, Work it all the time
FBb
Senora, she's a sensation
FC7
The reason for aviation
FBb
And fellas, you got to watch it
F
When she wind up, she bottom, She go like a rocket
FC7
Jump in the line, rock your body in time
FC7
Ok, I believe you!
FC7
Jump in the line, rock your body in time
FC7
Hoist those skirts a little higher!
FC7
Jump in the line, rock your body in time
FC7
Up the chimney!
FC7
Jump in the line, rock your body in time
Bridge: F - C7FC7
Shake, shake, shake, Senora, Shake your body line
C7F
Work, work, work, Senora, Work it all the time
FC7
Dance, dance, dance, Senora, Dance it all the time
C7F
Work, work, work, Senora, Work it all the time
FBb
Senora dances Calypso
FC7
Left to right is the tempo
FBb
And when she gets the sensation
F
She go up in the air, come down in slow motion
FC7
Jump in the line, rock your body in time
FC7
Ok, I believe you!
FC7
Jump in the line, rock your body in time
FC7
Somebody, help me!
FC7
Jump in the line, rock your body in time
FC7
Ok, I believe you!
FC7
Jump in the line, rock your body in time
Whooooa!
FC7
Shake, shake, shake, Senora, Shake your body line
C7F
Shake, shake, shake, Senora, Shake it all the time
F
Work, work, work, Senora!
This arrangement for the song is the author's own work and represents their interpretation of the song. You may only use this for private study, scholarship, or research. UkuTabs does not own any songs, lyrics or arrangements posted and/or printed.
This arrangement for the song is the author's own work and represents their interpretation of the song. You may only use this for private study, scholarship, or research. UkuTabs does not own any songs, lyrics or arrangements posted and/or printed. This arrangement was downloaded for free on UkuTabs.com.
Harold George Belafonte, Jr. (born March 1, 1927 in New York, New York, United States) is an African-American musician, actor and social activist of Jamaican ancestry. One of the most successful Jamaican musicians in history, he was dubbed the “King of Calypso” for popularizing the Caribbean musical style in the 1950s. Belafonte is perhaps best known for singing the “Banana Boat Song”, with its signature lyric “Day-O”. Throughout his career, he has been an advocate for civil rights and humanitarian causes.
This week, we’re exploring how to transform your ukulele playing by mastering dynamics and expressive techniques. It’s not just about hitting the right chords; it’s about how you play them. With the right approach, you…
