C D … … Hey hey hey hey! C Dm Bb C C D … … Ooh … … … Woah! C Dm Bb C … … … … D C … Won’t you come see about me? G C I’ll be alone dancing, you know it, baby D C … Tell me your troubles and doubts G C Giving me everything inside and out, and out D C … Love’s strange, so real in the dark G C Think of the tender things that we were working on D C … Slow change may pull us apart G C When the light gets into your heart, baby D C G … Don’t you … forget about me, C Don’t , don’t, don’t, don’t D C G G … Don’t you … forget about me … Bb Will you stand above me? F Look my way? Never love me? C Rain keeps falling, rain keeps falling G Down, down, down Bb Will you recognize me? F Call my name? Or walk on by? C Rain keeps falling, rain keeps falling G Down, down, down, down C D … … Hey hey hey hey! C Dm Bb C C D … … Ooh …… … Woah! C Dm Bb C … … … … D C … Don’t you try to pretend G C It’s my feeling we’ll win in the end, I won’t D C … Harm you or touch your defenses G C Vanity and security D C … Don’t you forget about me G C I’ll be alone dancing, you know it, baby D C … Going to take you apart G C I’ll put us back together at heart, baby D C G … Don’t you … forget about me C Don’t, don’t, don’t, don’t D C G … Don’t you … forget about me C D C G … As you walk on by … will you call my name? C D C G … As you walk on by … will you call my name? C D C G … When you walk away? … … C D C G … Or will you walk away? … … C D C G … Will you walk on by? … … C Come on, call my name D C G … Will you call my name? … C … I say: D C G La… la la la la... la la la la... C La la la - la la la - la la - la... D C G La… la la la la... la la la la... C La la la - la la la - la la - la... D C G La… la la la la... la la la la... C La la la - la la la - la la - la... D C G C La… When you walk on by … …
Could you put the chords throughout the entirety of the song? Its really hard to learn a song when i have to keep scrolling back up to see which chords go where.
In older patients, who often have diminished AV nodal function and relatively limited activity, modest rate control can often be achieved with a single agent.
-4
Idk, I feel that something is missing…
xA|–5–7/8–|–8/7–5/3———–|
xE|–5–7/8–|–8/7–5/3–10–8–5|
xC|———-|————-10–8–5|
xG|———-|———————-|
i feel like the best is putting your capo on fret 2, but putting the chords at -4 it sounds a lot better than just -4