Build God, Then We’ll Talk

Build God, Then We’ll Talk のコード by Panic! at the Disco シェア  報告  印刷

習熟

4.3 (3)

楽器左利き

コード表の読み方は？

おすすめのストローク疾走感の4/4

1

d

&

–

2

d

&

–

3

d

&

u

4

d

&

u

他にも使えます：裏拍多めの4/4 d – d u d u d u

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Bm                     A                 
It's these substandard motels on the 
     G       G             Gb  F   
(lalalalala) corner of 4th and Fremont
Gb
Street. 
Bm        A                               Gb G Gb 
Appealing only because they are just that un-appealing
G                      Gb    F                Gb 
Any practiced catholic would cross themselves upon entering.
Bm               A                       G  G      Gb      F         Gb
The rooms have a hint of asbestos and maybe just a dash of formaldehyde,
Bm      A                    Gb    G Gb        G     Gb        F  Gb 
And the habit of decomposing right before your very (lalalala) eyes.


Gb                      Bm
Along with the people inside
D      A        Gb  Bm   Em  D   Gb
What a wonderful caricature of intimacy
Bm      D      A      Gb Bm        Em D   Gb      
Inside, what a wonderful caricature of intimacy


G                             Bm
Tonight tenants range from: a lawyer and a virgin
G                    Bm
Rising with a rosary tucked inside her lingerie 
      Em        Gb         G         A
She's getting a job at the firm come Monday.
    Em        Gb            G        A
The Mrs. will stay with the cheating attorney
    Em       Gb         G                A
moonlighting aside, she really needs his money.
  Em        Gb            G      A
A wonderful caricature of intimacy.


Gb
Yeah (Yeah)


Bm         A            Gb G Gb                                  Bm    
And not to mention, the constable, and his proposition, for that "virgin"
A                       G            G                 Gb
Yes, the one the lawyer met with on "strictly business"
F                    Gb Bm         A
as he said to the Mrs., only hours before,
         G         G       Gb         F       Gb
after he had left, she was fixing her face in a compact.
Gb          Gb G Gb
There was a terrible crash (There was a terrible crash)
Bm      A       
Between her and the badge
                G                  G   Gb     F       Gb
She spilled her purse and her bag, and held a "purse" of a different kind.


Gb                      Bm
Along with the people inside
D      A        Gb  Bm   Em  D   Gb
What a wonderful caricature of intimacy
Bm      D      A      Gb Bm        Em D   Gb      
Inside, what a wonderful caricature of intimacy
Gb         
There are no
G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           Gb         G              A 
So shed off the sheets and before all the stains
 Em       Gb           G              Bb
And a few more of your least favorite things.


G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           Gb         G              A 
So shed off the sheets and before all the stains
 Em       Gb           G              Bb
And a few more of your least favorite things.


Bm      D      A     Gb  Bm         Em D      Gb
Inside, what a wonderful caricature of intimacy
Bm      D      A     Gb  Bm         Em D      Gb
Inside, what a wonderful caricature of intimacy


G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           Gb         G              A 
So shed off the sheets and before all the stains
 Em       Gb           G              Bb
And a few more of your least favorite things.


G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           Gb         G              A 
So shed off the sheets and before all the stains
 Em       Gb           G              Bb
And a few more of your least favorite things. このアレンジは、投稿者本人による解釈であり、個人の学習、教育、非商用目的で共有されています。もとになっている曲、歌詞、音楽の権利は、それぞれの著作権者に帰属します。 削除をご希望の場合は法的声明をご覧ください。

ウクレレでBuild God, Then We’ll Talkを弾く方法

この曲に合うストロークパターンは疾走感の4/4：d – d – d u d uです。ミディアムペースくらいのテンポで、目安は125 bpm。コードは少し手強いので、難易度は習熟としています。 Drive it steady and let the strum swell for the dramatic chorus.

8個のウクレレコードで弾けます。"Build God, Then We’ll Talk"／Panic! at the Disco: A, Bb, Bm, D, Em, F, GbとG

このアレンジはどうでしたか？

評価 4.3 / 5 ( 3 人の評価)

あなたの評価が、他のプレイヤーが良いアレンジを見つける助けになります

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11件のコメント

11 コメント

人気順

新しい順古い順

8年前

-5 is easy except it has *shudder* the dreaded E chord along with Db = C#. Does anyone know a replacement?

2

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Killjoysneverdie

8年前

-2 is definitely alot easier

2

返信

Meh

8年前

Ukulele Panda, I suggest for alternative E fingerings you use:
•barre fourth fret and put pinky on string A fret seven
•play the D chord and move that shape to the fourth fret
Thanks!

1

返信

8年前

Any tab available for the cello solo?

1

返信

9年前

That F doesn’t quite sound right. I usually just play a Bm there and it sounds a little better.

1

返信

Jaz

8年前

I think +5 is easier if you don’t like the bar chords but it’s preferance

0

返信

soph_xo

10年前

If you’re struggling with Gb just play C and A strings on the first fret, and then E on the second fret and G on the third

0

返信

10年前

+5 is easier

0

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Panic! at the Disco was an American pop rock band from Las Vegas, Nevada, formed in 2004 by childhood friends Ryan Ross, Spencer Smith, Brent Wilson, and Brendon Urie. Following several lineup changes, Panic! began operating as the solo project of frontman Urie from 2015 until the project's discontinuation in 2023. Panic! at the Disco recorded their first demos while they were in high school. Shortly after, the band recorded and released their debut studio album, A Fever You Can't Sweat Out (2005).

ジャンル alternative emo indie pop punk rock

すべての曲： Panic! at the Disco

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Bm                     A                 
It's these substandard motels on the 
     G       G             F#  F   
(lalalalala) corner of 4th and Fremont
F#
Street. 
Bm        A                               F# G F# 
Appealing only because they are just that un-appealing
G                      F#    F                F# 
Any practiced catholic would cross themselves upon entering.
Bm               A                       G  G      F#      F         F#
The rooms have a hint of asbestos and maybe just a dash of formaldehyde,
Bm      A                    F#    G F#        G     F#        F  F# 
And the habit of decomposing right before your very (lalalala) eyes.


F#                      Bm
Along with the people inside
D      A        F#  Bm   Em  D   F#
What a wonderful caricature of intimacy
Bm      D      A      F# Bm        Em D   F#      
Inside, what a wonderful caricature of intimacy


G                             Bm
Tonight tenants range from: a lawyer and a virgin
G                    Bm
Rising with a rosary tucked inside her lingerie 
      Em        F#         G         A
She's getting a job at the firm come Monday.
    Em        F#            G        A
The Mrs. will stay with the cheating attorney
    Em       F#         G                A
moonlighting aside, she really needs his money.
  Em        F#            G      A
A wonderful caricature of intimacy.


F#
Yeah (Yeah)


Bm         A            F# G F#                                  Bm    
And not to mention, the constable, and his proposition, for that "virgin"
A                       G            G                 F#
Yes, the one the lawyer met with on "strictly business"
F                    F# Bm         A
as he said to the Mrs., only hours before,
         G         G       F#         F       F#
after he had left, she was fixing her face in a compact.
F#          F# G F#
There was a terrible crash (There was a terrible crash)
Bm      A       
Between her and the badge
                G                  G   F#     F       F#
She spilled her purse and her bag, and held a "purse" of a different kind.


F#                      Bm
Along with the people inside
D      A        F#  Bm   Em  D   F#
What a wonderful caricature of intimacy
Bm      D      A      F# Bm        Em D   F#      
Inside, what a wonderful caricature of intimacy
F#         
There are no
G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.


G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.


Bm      D      A     F#  Bm         Em D      F#
Inside, what a wonderful caricature of intimacy
Bm      D      A     F#  Bm         Em D      F#
Inside, what a wonderful caricature of intimacy


G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.


G            Bm                       G
raindrops on roses and girls in white dresses.
                       Bm              
It's sleeping with the roaches and taking best guesses
   Em           F#         G              A 
So shed off the sheets and before all the stains
 Em       F#           G              A#
And a few more of your least favorite things.