Bm A It's these substandard motels on the G G Gb F (lalalalala) corner of 4th and Fremont Gb Street. Bm A Gb G Gb Appealing only because they are just that un-appealing G Gb F Gb Any practiced catholic would cross themselves upon entering. Bm A G G Gb F Gb The rooms have a hint of asbestos and maybe just a dash of formaldehyde, Bm A Gb G Gb G Gb F Gb And the habit of decomposing right before your very (lalalala) eyes. Gb Bm Along with the people inside D A Gb Bm Em D Gb What a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy G Bm Tonight tenants range from: a lawyer and a virgin G Bm Rising with a rosary tucked inside her lingerie Em Gb G A She's getting a job at the firm come Monday. Em Gb G A The Mrs. will stay with the cheating attorney Em Gb G A moonlighting aside, she really needs his money. Em Gb G A A wonderful caricature of intimacy. Gb Yeah (Yeah) Bm A Gb G Gb Bm And not to mention, the constable, and his proposition, for that "virgin" A G G Gb Yes, the one the lawyer met with on "strictly business" F Gb Bm A as he said to the Mrs., only hours before, G G Gb F Gb after he had left, she was fixing her face in a compact. Gb Gb G Gb There was a terrible crash (There was a terrible crash) Bm A Between her and the badge G G Gb F Gb She spilled her purse and her bag, and held a "purse" of a different kind. Gb Bm Along with the people inside D A Gb Bm Em D Gb What a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy Gb There are no G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. Este arranjo é a interpretação própria de quem contribuiu, compartilhada para estudo privado, educação e uso não comercial. A música, a letra e a composição de base continuam sendo propriedade dos respectivos detentores de direitos autorais. Para pedir a remoção, veja Declaração Legal.
Cifra de Build God, Then We’ll Talk de Panic! at the Disco
Batida sugerida4/4 pulsante
1
d
&
–
2
d
&
–
3
d
&
u
4
d
&
u
Também funciona: 4/4 agitado d – d u d u d u
Como tocar Build God, Then We’ll Talk no ukulele
O padrão de batida que combina é o 4/4 pulsante: d – d – d u d u. Espere um ritmo médio, por volta de 125 bpm. Os acordes pedem um pouco mais de você, então eu avalio como proficiente. Drive it steady and let the strum swell for the dramatic chorus.
8 acordes de ukulele em "Build God, Then We’ll Talk" de Panic! at the Disco: A, Bb, Bm, D, Em, F, Gb e G
O que você achou deste arranjo?
Sua avaliação ajuda outros músicos a achar os melhores arranjos
O que tocar a seguir
Participe da discussão
11 comentáriosÁlbum: A Fever You Can't Sweat Out
Do mesmo álbum
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- Ainda não está nesta lista? Peça!
-5 is easy except it has *shudder* the dreaded E chord along with Db = C#. Does anyone know a replacement?
-2 is definitely alot easier
Ukulele Panda, I suggest for alternative E fingerings you use:
•barre fourth fret and put pinky on string A fret seven
•play the D chord and move that shape to the fourth fret
Thanks!
Any tab available for the cello solo?
That F doesn’t quite sound right. I usually just play a Bm there and it sounds a little better.
I think +5 is easier if you don’t like the bar chords but it’s preferance
If you’re struggling with Gb just play C and A strings on the first fret, and then E on the second fret and G on the third
+5 is easier