Bm A It's these substandard motels on the G G Gb F (lalalalala) corner of 4th and Fremont Gb Street. Bm A Gb G Gb Appealing only because they are just that un-appealing G Gb F Gb Any practiced catholic would cross themselves upon entering. Bm A G G Gb F Gb The rooms have a hint of asbestos and maybe just a dash of formaldehyde, Bm A Gb G Gb G Gb F Gb And the habit of decomposing right before your very (lalalala) eyes. Gb Bm Along with the people inside D A Gb Bm Em D Gb What a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy G Bm Tonight tenants range from: a lawyer and a virgin G Bm Rising with a rosary tucked inside her lingerie Em Gb G A She's getting a job at the firm come Monday. Em Gb G A The Mrs. will stay with the cheating attorney Em Gb G A moonlighting aside, she really needs his money. Em Gb G A A wonderful caricature of intimacy. Gb Yeah (Yeah) Bm A Gb G Gb Bm And not to mention, the constable, and his proposition, for that "virgin" A G G Gb Yes, the one the lawyer met with on "strictly business" F Gb Bm A as he said to the Mrs., only hours before, G G Gb F Gb after he had left, she was fixing her face in a compact. Gb Gb G Gb There was a terrible crash (There was a terrible crash) Bm A Between her and the badge G G Gb F Gb She spilled her purse and her bag, and held a "purse" of a different kind. Gb Bm Along with the people inside D A Gb Bm Em D Gb What a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy Gb There are no G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. Dit arrangement is de eigen interpretatie van de inzender, gedeeld voor privéstudie, educatie en niet-commercieel gebruik. Het onderliggende nummer, de songtekst en de muziek blijven eigendom van hun rechthebbenden. Om verwijdering aan te vragen, zie Juridische verklaring.
Build God, Then We’ll Talk akkoorden van Panic! at the Disco
Voorgesteld strumpatroonstuwende 4/4
1
d
&
–
2
d
&
–
3
d
&
u
4
d
&
u
Werkt ook: drukke upbeat 4/4 d – d u d u d u
Build God, Then We’ll Talk spelen op ukelele
Het strumpatroon dat past is de stuwende 4/4: d – d – d u d u. Verwacht een gemiddeld tempo, rond de 125 bpm. De akkoorden vragen wat meer van je, dus ik beoordeel ze als bekwaam. Drive it steady and let the strum swell for the dramatic chorus.
8 ukelele-akkoorden gebruikt in "Build God, Then We’ll Talk" van Panic! at the Disco: A, Bb, Bm, D, Em, F, Gb en G
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11 reactiesAlbum: A Fever You Can't Sweat Out
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-5 is easy except it has *shudder* the dreaded E chord along with Db = C#. Does anyone know a replacement?
-2 is definitely alot easier
Ukulele Panda, I suggest for alternative E fingerings you use:
•barre fourth fret and put pinky on string A fret seven
•play the D chord and move that shape to the fourth fret
Thanks!
Any tab available for the cello solo?
That F doesn’t quite sound right. I usually just play a Bm there and it sounds a little better.
I think +5 is easier if you don’t like the bar chords but it’s preferance
If you’re struggling with Gb just play C and A strings on the first fret, and then E on the second fret and G on the third
+5 is easier