Bm A It's these substandard motels on the G G Gb F (lalalalala) corner of 4th and Fremont Gb Street. Bm A Gb G Gb Appealing only because they are just that un-appealing G Gb F Gb Any practiced catholic would cross themselves upon entering. Bm A G G Gb F Gb The rooms have a hint of asbestos and maybe just a dash of formaldehyde, Bm A Gb G Gb G Gb F Gb And the habit of decomposing right before your very (lalalala) eyes. Gb Bm Along with the people inside D A Gb Bm Em D Gb What a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy G Bm Tonight tenants range from: a lawyer and a virgin G Bm Rising with a rosary tucked inside her lingerie Em Gb G A She's getting a job at the firm come Monday. Em Gb G A The Mrs. will stay with the cheating attorney Em Gb G A moonlighting aside, she really needs his money. Em Gb G A A wonderful caricature of intimacy. Gb Yeah (Yeah) Bm A Gb G Gb Bm And not to mention, the constable, and his proposition, for that "virgin" A G G Gb Yes, the one the lawyer met with on "strictly business" F Gb Bm A as he said to the Mrs., only hours before, G G Gb F Gb after he had left, she was fixing her face in a compact. Gb Gb G Gb There was a terrible crash (There was a terrible crash) Bm A Between her and the badge G G Gb F Gb She spilled her purse and her bag, and held a "purse" of a different kind. Gb Bm Along with the people inside D A Gb Bm Em D Gb What a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy Gb There are no G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy Bm D A Gb Bm Em D Gb Inside, what a wonderful caricature of intimacy G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. G Bm G raindrops on roses and girls in white dresses. Bm It's sleeping with the roaches and taking best guesses Em Gb G A So shed off the sheets and before all the stains Em Gb G Bb And a few more of your least favorite things. Ten aranż to własna interpretacja jego autora, udostępniona do prywatnej nauki, edukacji i użytku niekomercyjnego. Sama piosenka, tekst i muzyka pozostają własnością ich posiadaczy praw autorskich. Żeby poprosić o usunięcie, zobacz Nota prawna.
Akordy Build God, Then We’ll Talk od Panic! at the Disco
Sugerowane bicienapędowe 4/4
1
d
&
–
2
d
&
–
3
d
&
u
4
d
&
u
Działa też: ruchliwe 4/4 d – d u d u d u
Jak zagrać Build God, Then We’ll Talk na ukulele
Pasujący wzór bicia to napędowe 4/4: d – d – d u d u. Spodziewaj się średnie tempo, około 125 bpm. Te akordy wymagają od ciebie trochę więcej, więc oceniam je na zaawansowany. Drive it steady and let the strum swell for the dramatic chorus.
8 akordów ukulele używany w "Build God, Then We’ll Talk" autorstwa Panic! at the Disco: A, Bb, Bm, D, Em, F, Gb i G
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Dołącz do dyskusji
11 komentarzyAlbum: A Fever You Can't Sweat Out
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-5 is easy except it has *shudder* the dreaded E chord along with Db = C#. Does anyone know a replacement?
-2 is definitely alot easier
Ukulele Panda, I suggest for alternative E fingerings you use:
•barre fourth fret and put pinky on string A fret seven
•play the D chord and move that shape to the fourth fret
Thanks!
Any tab available for the cello solo?
That F doesn’t quite sound right. I usually just play a Bm there and it sounds a little better.
I think +5 is easier if you don’t like the bar chords but it’s preferance
If you’re struggling with Gb just play C and A strings on the first fret, and then E on the second fret and G on the third
+5 is easier