Intro: Em B7 Em B7 C G B7 Em C B7 Em Em B7 Em B7 Verse 1: Em B7 I’m in a meat-pack plant by the gutterside Em B7 a slaughterhouse apartment with a slice of lime C B7 I’m cruisin’ with the bruisers, boozin’, I’ll be a Em suitor, losing my mind B7 Because there’s nothing to find Em B7 The fetid stench of bad intentions hangs in the sweat Em B7 I’m in a sauna hot with drama and I’m tryin’ to forget C All the masochistic rapture mis-steps B7 Em B7 Imminent pleasure’s ready to cut to the bone Chorus: C G You said “let loose!” But now you’re lost D Em While I tied my boots like a tightrope noose C G The problem chased the taste of the cause D B7 While the evidence supports the truth. Is 80 enough proof for you? Em B7 Here’s to my lady and I’m coming inside Em B7 Drink to me baby, and what’s left of what’s right C G It’s easier to use and lose than never to have used you B7 Em C On a xxxxxx up Saturday night. B7 Em B7 Good times on Front Street Em B7 Em On Front Street Verse 2: Em B7 Loose lips sink ships, but captain, will you go down? Em B7 Float your boat and overboard and hoping to drown C B7 Tell me what prevented you from coming downtown all alone Em B7 Because we know you’re not afraid Em B7 This chastity is Greek to me, the meat is still fresh Em B7 The gnashing teeth will masticate the bones from the flesh C B7 Since nobody will tell me where these xxxxxxxx go, I’ll see for myself Em B7 I think they might go to hell Chorus: C G You said “let loose!” But now you’re lost D Em While I tied my boots like a tightrope noose C G The problem chased the taste of the cause D B7 While the evidence supports the truth. Is 80 enough proof for you? Em B7 Here’s to my lady and I’m coming inside Em B7 Drink to me baby, and what’s left of what’s right C G It’s easier to use and lose than never to have used you B7 Em C On a xxxxxx up Saturday night. B7 Em B7 Good times on Front Street Em B7 Em On Front Street Interlude: Em B7 Em B7 (x4) C G D Em C G D B7 ... Is 80 enough proof for you? Outro: Em B7 Last call for mortals, better cover your drink Em B7 Sodom and Gomorrah, let it go down the sink C C7 B7 Always a good time Em On Front Street このアレンジは、投稿者本人による解釈であり、個人の学習、教育、非商用目的で共有されています。もとになっている曲、歌詞、音楽の権利は、それぞれの著作権者に帰属します。 削除をご希望の場合は法的声明をご覧ください。
Front Street (and the Tapeworms) のコード by Will Wood
おすすめのストローク8分ダウンアップ
1
d
2
u
3
d
4
u
他にも使えます: 裏拍多めの4/4 d – d u d u d u
ウクレレでFront Street (and the Tapeworms)を弾く方法
Front Street (and the Tapeworms)の入り口としておすすめのウクレレのストロークは8分ダウンアップ:d u d uです。 あなたはE マイナーで弾いています。 コードの面では簡単な曲です。すべて初心者のレベルに収まります。
6個のウクレレコードで弾けます。"Front Street (and the Tapeworms)"/Will Wood: B7, C, C7, D, EmとG
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If the barre B7 is too hard for you, put your third finger on the 4th fret of the G string, second finger on the third fret of the C string, and first finger on the second fret of the E string :3
Hey so fair warning everyone this song is about date r*pe. Blatantly.
I am a huge Will Wood fan and unfortunately when I’ve seen women complain that this song sickens them, they are bombarded with “no, no, it’s okay because Will is a good person!” Or “it’s okay because it’s actually a CRITIQUE of r*pe culture.”
I don’t give a sh*t. I am not saying that Will is morally in the wrong for writing this, I’m not saying that anyone is in the wrong for enjoying it. I am saying that this song makes me sick to my stomach and I need other women who feel the same way to know that that is OKAY. I’m not trying to condemn Will, his music is edgy and he’s calling out r*pe culture in his own way, which is great for those that can handle such a blunt discussion about it. I can’t, and it’s okay that I can’t. Hell, there’s a soundclip from Dennis Reynolds in this song and I love Always Sunny and haven’t been made uncomfortable when the show makes dark jokes about Dennis assaulting women. For me, Always Sunny finds a way to point at r*pe culture that does not disturb me but Will Wood just did not hit that note quite right.