Intro: Fm Fm D#6sus2 Bbadd9 Verse 1: Fm D#6sus2 Bbadd9 I am the monster you created Fm D#6sus2 Bbadd9 You ripped out all my parts Fm D#6sus2 Bbadd9 Dbmaj7 And worst of all, for me to live, I gotta kill the part of me that saw Bbm C7 And I needed you more Chorus: Dbmaj7 Fm Ebsus2 I hope you know we had everything Dbmaj7 Fm Ebsus2 Ab C7 When you broke me and left these pieces Dbmaj7 Fm Ebsus2 I want you to hurt like you hurt me today and Dbmaj7 Fm Ab C I want you to lose like I lose when I play "What Could Have Been" Dbmaj7 Fm Eb Dbmaj7 Fm Ebsus2 Oh, "What Could Have Been" Bridge: Bbm Ab Eb Bbm Ab Why don't you love who I am? Eb C What we could have been Verse 2: Fm D#6sus2 Bbadd9 I am your ghost, a fallen angel Fm Ebsus2 Bb You ripped out all my parts Fm Ebsus2 Bb Dbmaj7 I couldn't care what invention you made me Fm Bbm C7 'Cause I, I was meant to be yours Instrumental: Dbmaj7 Bbm C7 Dbmaj7 Bbm C7 Dbmaj7 Eb Fm Bbm Cm Fm Db C7 Dbmaj7 Eb Fm Bbm Cm Fm F Chorus: Gb Bbm Ab I hope you know we had everything Gb Bbm Ab Db F When you broke me and left these pieces Gb Bbm Ab Ebm I want you to hurt like you hurt me today and Gb Bbm Db Ab I want you to lose like I lose when I play— Outro: Gb Bbm Ab Gb Bbm Ab Db F Gb Bbm Ab Ebm I want you to hurt like you hurt me today and Gb Bbm Db Ab (nc) I want you to lose like I lose when I play "What Could Have Been" このアレンジは、投稿者本人による解釈であり、個人の学習、教育、非商用目的で共有されています。もとになっている曲、歌詞、音楽の権利は、それぞれの著作権者に帰属します。 削除をご希望の場合は法的声明をご覧ください。
What Could Have Been (from Arcane, and Ray Chen) のコード by Sting
おすすめのストローク万能の4/4
1
d
&
–
2
d
&
u
3
–
&
u
4
d
&
–
もっとシンプルなほうがいいなら： 全小節のバラード d – – –
ウクレレでWhat Could Have Been (from Arcane, and Ray Chen)を弾く方法
ウクレレでは、What Could Have Been (from Arcane, and Ray Chen)は万能の4/4に集約されます：d – d u – u d –。 グルーヴはおよそ70 bpm、ゆったりしたペース。 このページでは曲はBb マイナーです。 コードは少し手強いので、難易度は上級者としています。 Let each chord ring for a full bar under the melody.
15個のウクレレコードで弾けます。"What Could Have Been (from Arcane, and Ray Chen)"／Sting: Bb, Bbm, Bbadd9, C, Cm, C7, Db, Dbmaj7, Eb, Ebm, Ebsus2, F, Fm, GbとAb
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For folks looking for an easier time with this piece, transpose it to +2
rounding out chords like “Ebmaj7” to just Eb, “Cadd9” to C, and D#6sus2 to D also gives your fingers a break while maintaining a similar sound to the original
Thanks for approving my request! What is D#6sus2 supposed to be?