Am Oh Lord, Oh Lord, what have I done? I've fallen in love with a man on the run Am Oh Lord, Oh Lord, I'm begging you please Dm Am Don't take that sinner from me Dm Am Oh don't take that sinner from me Am Oh Lord, Oh Lord, what do I do? G Am I've fallen for someone who's nothing like you Am He's raised on the edge of the devil's backbone Dm Am Oh I just want to take him home Dm Am Oh I just want to take him home Am G Dm Am Oooooooooh Am G Dm Am Oooooooooh Am Oh Lord, Oh Lord, he's somewhere between G Am a hangman's knot, and three mouths to feed Am There wasn't a wrong or a right he could choose Dm Am He did what he had to do Dm Am He did what he had to do Am G Dm Am Oooooooooh Am G Dm Am Oooooooooh Am G Give me the burden, give me the blame Dm F I'll shoulder the load, and I'll swallow the shame Am G Give me the burden, give me the blame Dm F How many, how many Hail Mary's is it gonna take? Am Don't care if he's guilty, don't care if he's not G Am He's good and he's bad, and he's all that I've got Am Oh Lord, Oh Lord, I'm begging you please Dm Am Don't take that sinner from me Dm Am Oh don't take that sinner from me Questo arrangiamento è l'interpretazione personale di chi lo ha inviato, condivisa per studio privato, didattica e uso non commerciale. La canzone, il testo e la musica originali restano di proprietà dei rispettivi titolari dei diritti. Per richiedere una rimozione, consulta Note legali.
Accordi di Devil’s Backbone di The Civil Wars
Pennata suggeritasolo giù
1
d
2
d
3
d
4
d
Funziona anche: ottavi giù-su d u d u
Come suonare Devil’s Backbone sull'ukulele
Per suonare Devil’s Backbone sull'ukulele, fai la pennata solo giù: d d d d. Scorre a un ritmo medio di circa 100 bpm. In questa pagina la canzone è in A minore. Per gli accordi è facile: tutto sta al livello principiante. Stomp the down-strokes and clap on two and four like a foot-stomp.
4 accordi di ukulele usati in "Devil’s Backbone" di The Civil Wars: Am, Dm, F e G
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I like these chords better for the verses:
Am. C.
G. E.
Am. C.
Dm E. A.
Dm E. A.
It just fills in a few of the gaps
I’ve found that it sounds better if you don’t play the Am for so long (like at ‘Don’t care if he’s guilty don’t care if he’s not). Instead, play an Am and then a C