Am Oh Lord, Oh Lord, what have I done? I've fallen in love with a man on the run Am Oh Lord, Oh Lord, I'm begging you please Dm Am Don't take that sinner from me Dm Am Oh don't take that sinner from me Am Oh Lord, Oh Lord, what do I do? G Am I've fallen for someone who's nothing like you Am He's raised on the edge of the devil's backbone Dm Am Oh I just want to take him home Dm Am Oh I just want to take him home Am G Dm Am Oooooooooh Am G Dm Am Oooooooooh Am Oh Lord, Oh Lord, he's somewhere between G Am a hangman's knot, and three mouths to feed Am There wasn't a wrong or a right he could choose Dm Am He did what he had to do Dm Am He did what he had to do Am G Dm Am Oooooooooh Am G Dm Am Oooooooooh Am G Give me the burden, give me the blame Dm F I'll shoulder the load, and I'll swallow the shame Am G Give me the burden, give me the blame Dm F How many, how many Hail Mary's is it gonna take? Am Don't care if he's guilty, don't care if he's not G Am He's good and he's bad, and he's all that I've got Am Oh Lord, Oh Lord, I'm begging you please Dm Am Don't take that sinner from me Dm Am Oh don't take that sinner from me Cet arrangement est l'interprétation personnelle de son contributeur, partagée pour l'étude privée, l'éducation et un usage non commercial. La chanson, les paroles et la musique sous-jacentes restent la propriété de leurs détenteurs de droits. Pour demander un retrait, consulte Mentions légales.
Accords de Devil’s Backbone par The Civil Wars
Rythmique suggéréetout vers le bas
1
d
2
d
3
d
4
d
Fonctionne aussi : croches bas-haut d u d u
Comment jouer Devil’s Backbone à l'ukulélé
Pour jouer Devil’s Backbone à l'ukulélé, gratte le tout vers le bas : d d d d. Ça roule à un rythme moyen d'environ 100 bpm. Sur cette page, la chanson est en A mineur. Côté accords, celui-là est facile : tout reste au niveau novice. Stomp the down-strokes and clap on two and four like a foot-stomp.
4 accords d'ukulélé utilisé dans "Devil’s Backbone" de The Civil Wars: Am, Dm, F et G
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I like these chords better for the verses:
Am. C.
G. E.
Am. C.
Dm E. A.
Dm E. A.
It just fills in a few of the gaps
I’ve found that it sounds better if you don’t play the Am for so long (like at ‘Don’t care if he’s guilty don’t care if he’s not). Instead, play an Am and then a C