Am Oh Lord, Oh Lord, what have I done? I've fallen in love with a man on the run Am Oh Lord, Oh Lord, I'm begging you please Dm Am Don't take that sinner from me Dm Am Oh don't take that sinner from me Am Oh Lord, Oh Lord, what do I do? G Am I've fallen for someone who's nothing like you Am He's raised on the edge of the devil's backbone Dm Am Oh I just want to take him home Dm Am Oh I just want to take him home Am G Dm Am Oooooooooh Am G Dm Am Oooooooooh Am Oh Lord, Oh Lord, he's somewhere between G Am a hangman's knot, and three mouths to feed Am There wasn't a wrong or a right he could choose Dm Am He did what he had to do Dm Am He did what he had to do Am G Dm Am Oooooooooh Am G Dm Am Oooooooooh Am G Give me the burden, give me the blame Dm F I'll shoulder the load, and I'll swallow the shame Am G Give me the burden, give me the blame Dm F How many, how many Hail Mary's is it gonna take? Am Don't care if he's guilty, don't care if he's not G Am He's good and he's bad, and he's all that I've got Am Oh Lord, Oh Lord, I'm begging you please Dm Am Don't take that sinner from me Dm Am Oh don't take that sinner from me Este arranjo é a interpretação própria de quem contribuiu, compartilhada para estudo privado, educação e uso não comercial. A música, a letra e a composição de base continuam sendo propriedade dos respectivos detentores de direitos autorais. Para pedir a remoção, veja Declaração Legal.
Cifra de Devil’s Backbone de The Civil Wars
Batida sugeridasó para baixo
1
d
2
d
3
d
4
d
Também funciona: colcheias baixo-cima d u d u
Como tocar Devil’s Backbone no ukulele
Para tocar Devil’s Backbone no ukulele, dê a batida só para baixo: d d d d. Ela rola num ritmo médio de cerca de 100 bpm. Nesta página a música está em A menor. Em termos de acordes, essa é fácil: tudo fica no nível de novato. Stomp the down-strokes and clap on two and four like a foot-stomp.
4 acordes de ukulele em "Devil’s Backbone" de The Civil Wars: Am, Dm, F e G
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I like these chords better for the verses:
Am. C.
G. E.
Am. C.
Dm E. A.
Dm E. A.
It just fills in a few of the gaps
I’ve found that it sounds better if you don’t play the Am for so long (like at ‘Don’t care if he’s guilty don’t care if he’s not). Instead, play an Am and then a C