Intro - x4 - - or BmGDA -:
xA|-------------------------------------------------|
xE|-------------------------2---5----------2--------|
xC|----2---2-2-2/4--2-----2---2---2-2-2h4----2---2--|
xG|--4---4------------4-4----------------------6----|
xA|-----------------------------------------------|
xE|------------5--3-------2---5----------2--------|
xC|----2---2-2------2---2---2---2-2-2h4----2---2--|
xG|--4---4------------4----------------------6----|
Chorus:
BmGDA
She calls me when I'm in town, I pretend I'm not around
BmGDA
But she sees on a screen I am, so here I am, here I am
BmGDA
She don't call me one and only no, she just calls me when she gets lonely
BmGDA
Something I do that gets her there, so feel better, and get well
Verse:
BmGDABm
There's no love without this pain, there's no one time without again
BmGDA
And there's no way that I am, what she needs now
BmGDABm
I'm just a passing plan, not a for sure, without a chance
BmGDA
And there's no way that I am, what she sees now
Chorus:
BmGDA
She calls me when I'm in town, I pretend I'm not around
BmGDA
But she sees on a screen I am, so here I am, here I am
BmGDA
She don't call me one and only no, she just calls me when she gets lonely
BmGDA
Something I do that gets her there, so feel better, and get well
Verse:
BmGDA
Backwards now we're back again, sideways just to find our friends
BmGDA
Oh this road is changing everything I know now
BmGDA
We sat down inside my head, let's just talk about something else
BmGDA
The sun gets brighter and takes me alone, oh oh oh oh
Chorus:
BmGDA
She calls me when I'm in town, I pretend I'm not around
BmGDA
But she sees on a screen I am, so here I am, here I am
BmGDA
She don't call me one and only no, she just calls me when she gets lonely
BmGDA
Something I do that gets her there, so feel better, and get well
Interlude - or BmGDA -:
xA|-------------------------------------------------|
xE|-------------------------2---5----------2--------|
xC|----2---2-2-2/4--2-----2---2---2-2-2h4----2---2--|
xG|--4---4------------4-4----------------------6----|
xA|-----------------------------------------------|
xE|------------5--3-------2---5----------2--------|
xC|----2---2-2------2---2---2---2-2-2h4----2---2--|
xG|--4---4------------4----------------------6----|
and get well, and get well, yeah
Verse:
BmGDABm
No this curtains never closed, only one way that this goes
BmGDA
Turning circles and we lose our faces
BmGDABm
New faces around but, no replacements I've found
BmGDA
Can we just find a way to, go back, home now
Chorus:
BmGDA
She calls me when I'm in town, I pretend I'm not around
BmGDA
But she sees on a screen I am, so here I am, here I am
BmGDA
She don't call me one and only no, she just calls me when she gets lonely
BmGDA
Something I do that gets her there, so feel better, and get well
Bridge:
BmGABmDA
Don't call me one and only, just call me when you get lonely
BmGDA
Something that gets her there, so feel better, and get well well
BmGABmDA
Don't call me one and only, just call me when you get lonely
BmGDA
Something that gets her there, so feel better, and get well
Este arreglo para la canción es obra del autor y representa su interpretación de la canción. Sólo se puede utilizar para el estudio privado, la beca o la investigación. UkuTabs no es propietaria de ninguna canción, letra o arreglo publicado y/o impreso.
Este arreglo para la canción es obra del autor y representa su interpretación de la canción. Sólo se puede utilizar para el estudio privado, la beca o la investigación. UkuTabs no es propietario de ninguna canción, letra o arreglo publicado y/o impreso. Este arreglo fue descargado gratuitamente en UkuTabs.com.
Lead singers Jacob Hemphill (vocals, guitar) and Bob Jefferson (bass) met in first grade in Virginia, shortly after Jacob had returned from living in Africa with his family. The two instantly became best friends, and in middle school found a common love for hip hop and rock music. Throughout middle and high school, they met Patrick O’Shea (keyboards), Ryan Berty (drums), and Ken Brownell (percussion) – who would later form SOJA. During this period, reggae music was becoming an addiction for the budding musicians.
Las progresiones de acordes son el corazón de la mayoría de las canciones. Tanto si estás tocando una melodía pop pegadiza, una balada jazzística o una melodía folk suave, la secuencia de acordes que elijas sienta las bases de tu música....
