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Lullaby In Ragtime

Álbum: A Little Touch of Schmilsso...

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Canción: Lullaby In Ragtime por Harry Nilsson

COROS DE UKULELE

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Verse:
 Eb                Eb7          Eb6        Eb        Fm7     Gdim Fm7
Won’t you play the music so the cradle can rock to a lullaby in ragtime
 Fm              Fm7             Fm7       Bb7           Fm7  Bb7   Eb
Sleepy hands are creeping to the end of the clock, play a lullaby in ragtime
 Eb              Eb7        Eb7     Ab            Abm6
You can tell the sandman is on his way by the way that they play
 F7             Cm7        F7                   Bb7      Bb7  
As still as the trill of a thrush in a twilight’s hush...    so you can hear the

Verse:
 Eb          Eb7            Eb6         Eb         Fm7 Gdim      Fm7
Rhythm of the ripples on the side of the boat as you sail a-way to dreamland
 Fm            Fm7             Fm7     Bb7         Fm7     Bb7        Eb Eb7
High above the moon you hear a silvery note as the sandman takes your hand
 Ab                    Abm6                   Eb     Db7     C7
So rock-a-bye my baby, don’t you cry my baby, sleepy time is nigh
          Fm    C7 Fm           Fm7    Bb7 Eb Eb6
Won’t you rock me  to a ragtime lull - a - by.


 Ab                    Abm6                   Eb     Db7     C7
So rock-a-bye my baby, don’t you cry my baby, sleepy time is nigh
          Fm    C7 Fm           Fm7    Bb7 Eb Eb6
Won’t you rock me  to a ragtime lull - a - by.
Este arreglo para la canción es obra del autor y representa su interpretación de la canción. Sólo se puede utilizar para el estudio privado, la beca o la investigación. UkuTabs no es propietario de ninguna canción, letra o arreglo publicado y/o impreso. Este arreglo fue descargado gratuitamente en UkuTabs.com.
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Álbum: A Little Touch of Schmilsso...

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~Sunday 15th of June~

Biography

Harry Edward Nilsson III (born June 15, 1941 in Brooklyn, New York – died January 15, 1994), usually credited as simply Nilsson, was an American singer-songwriter with a three octave vocal range. He won Grammy Awards for Best Contemporary Male Vocal Performance for “Everybody’s Talkin'” (1970) and “Without You” (1973), also his two biggest hits. Although both the aforementioned songs were composed by others, he was a talented songwriter in his own right, having written “One”, a hit single for Three Dog Night.

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