Verse 1: G My cards are on the table, yours are in your hands C Chances are tonight you've already got plans Am C G And chances are I will talk myself to sleep again G You give me just enough attention to keep my hopes too high C Wishful thoughts forget to mention when something's really not right Am C G D And I will block out these voices of reason in my head Chorus: C G D And the voices say, "You are not the exception C D G You will never learn your lesson, foolish one C Stop checking your mailbox for confessions of love that ain't never gonna come Am D You will take the long way, you will take the long way down" Verse 2: G You know how to keep me waiting, I know how to act like I'm fine C Don't know what to call this situation but I know I can't call you mine Am C G And it's delicate, but I will do my best to seem bulletproof G 'Cause when my head is on your shoulder it starts thinking you'll come around C And maybe someday when we're older this is something we'll laugh about Am C G Over coffee every morning while you're watching the news Chorus: C G D But then the voices say, "You are not the exception C D G You will never learn your lesson, foolish one C Stop checking your mailbox for confessions of love that ain't never gonna come Am D You will take the long way, you will take the long way down" G Foolish one C Stop checking your mailbox for confessions of love that ain't never gonna come Am D You will learn the hard way, instead of just walking out" Verse 3: Em C Now I'm sliding down the wall with my head in my hands G D Saying, "How could I not see the signs?" Em Oh, you haven't written me or called C But goodbye screaming in the silence G D And the voices in my head are telling me why G 'Cause you got her on your arm and me in the wings C I'll get your longing glances but she'll get your ring Am C G And you will say you had the best of intentions Am C D And maybe I will finally learn my lesson Chorus: G Foolish one C Stop checking your mailbox for confessions of love that ain't never gonna come Am D You will take the long way, you will take the long way down G Foolish one C Stop checking your mailbox for confessions of love that ain't never gonna come Am D You will learn the hard way, instead of just walking out" Outro: G C Ain't never gonna come Am D Ooh, you will learn the hard way now G Foolish one C Sitting 'round waiting for confessions of love, they ain't never gonna come Am D And thinking he's the one, you should've been walking out G Foolish one C The day is gonna come for your confessions of love, when all is said and done Am D G He just wasn't the one, no, he just wasn't the one Cet arrangement est l'interprétation personnelle de son contributeur, partagée pour l'étude privée, l'éducation et un usage non commercial. La chanson, les paroles et la musique sous-jacentes restent la propriété de leurs détenteurs de droits. Pour demander un retrait, consulte Mentions légales.
Accords de Foolish One (Taylor’s Version) (From The Vault) par Taylor Swift
Rythmique suggéréerythmique des îles
1
d
&
–
2
d
&
u
3
–
&
u
4
d
&
u
Fonctionne aussi : 4/4 entraînant d – d – d u d u
Comment jouer Foolish One (Taylor’s Version) (From The Vault) à l'ukulélé
Le motif de rythmique pour Foolish One (Taylor’s Version) (From The Vault) : d – d u – u d u. Ça roule à un rythme moyen d'environ 100 bpm. Tu la joues en G majeur. Rien d'effrayant dans les formes, elle figure dans la liste des chansons faciles à l'ukulélé au niveau novice. Use the island strum in the verses and add drive through the chorus.
5 accords d'ukulélé utilisé dans "Foolish One (Taylor’s Version) (From The Vault)" de Taylor Swift: Am, C, D, Em et G
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1 commentaireAlbum : Speak Now
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For the first two verses I used D-DUDUDUD while strumming pretty fast. For the chorus I muted (M) then did down strokes following rhythm of the syllables then on the second line DDUUDUDU slowly then back to D-DUDUDUD when it say Foolish One. For the third verse M(mute)DDUUDD twice then just down strokes following the rhythm with up strokes when you feel necessary and go back to D-DUDUDUD on the last line of the verse. During the outro just do D-DUDUDUD slower and quieter than originally and finish with a down stroke on G to finish it off.