Verse: C Cmaj7 Hello, D Dmaj7 Is nobody home? C Cmaj7 You know I get stressed sometimes. D Dmaj7 Can’t be alone. C Cmaj7 Hello, D Dmaj7 I’m back to zero. C Cmaj7 Find out what’s going on inside, D Dmaj7 Bring me from below. Chorus: E Right now, I’ll steal you when I need you. G Come down, at these heights I’ve become used to D Calling. C Keep me calm before you’re gone. E Strange how, no-one’s here to listen in this G Ghost town, they try to keep their distance but we’re D Calling. C How could you ever move on? Verse: C Cmaj7 Hello, D Dmaj7 I noticed you’re free. C Cmaj7 Don’t pretend that you know what you are. D Dmaj7 Who’d want to be me. C Cmaj7 But no, D Dmaj7 I hope you agree. C Cmaj7 You did what you did and you took it too far. D Dmaj7 Ignored my final plea. Chorus: E Right now, I’ll steal you when I need you. G Come down, at these heights I’ve become used to D Calling. C Keep me calm before you’re gone. E Strange how, no-one’s here to listen in this G Ghost town, they try to keep their distance but we’re D Calling. C How could you ever move on? Interlude: C Cmaj7 D Dmaj7 C Cmaj7 D Dmaj7 x2 Bridge: C Cmaj7 Hello, D Dmaj7 Is nobody home? C Cmaj7 You know I get stressed sometimes. D Dmaj7 Been left on my own. Chorus: E Right now, I’ll steal you when I need you. G Come down, at these heights I’ve become used to D Calling. C Keep me calm before you’re gone. E Strange how, no-one’s here to listen in this G Ghost town, they try to keep their distance but we’re D Calling. C How could you ever move on? Bridge: (I don’t open letters anymore) C Cmaj7 I don't open letters. (I don’t open letters anymore) D Dmaj7 I don't open letters. (Nothing I need to answer for) C Cmaj7 I don't open letters. D Dmaj7 I don’t open letters anymore. (I don’t open letters anymore) C Cmaj7 I don't open letters. (I don’t open letters anymore) D Dmaj7 I don't open letters. (Nothing I need to answer for) C Cmaj7 I don't open letters. D I don’t open letters anymore. Cet arrangement est l'interprétation personnelle de son contributeur, partagée pour l'étude privée, l'éducation et un usage non commercial. La chanson, les paroles et la musique sous-jacentes restent la propriété de leurs détenteurs de droits. Pour demander un retrait, consulte Mentions légales.
Accords de Calling par James Marriott
Rythmique suggérée4/4 entraînant
1
d
&
–
2
d
&
–
3
d
&
u
4
d
&
u
Tu préfères quelque chose de plus simple : croches bas-haut d u d u
Comment jouer Calling à l'ukulélé
Un bon premier choix pour Calling à l'ukulélé est le 4/4 entraînant : d – d – d u d u. Tu la joues en G majeur. Rien d'effrayant dans les formes, elle figure dans la liste des chansons faciles à l'ukulélé au niveau novice.
6 accords d'ukulélé utilisé dans "Calling" de James Marriott: C, Cmaj7, D, Dmaj7, E et G
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